耻辱柱

It is 1630, and a devastating plague has descended upon the city of Milan. Guglielmo Piazza and Giacomo Mora are depicted as two city's artisans (really only Mora, a barber, was an artisan while Piazza was a sanity officer). One day a woman accuses Piazza of being an untore (i.e. a greaser): a spreader of disease by anointing walls and furnitures with a pestiferous ointment. According to a superstitious belief held by the people, these untori were in league with the Devil, and were responsible for the spread of the pestilence.Immediately the Church and the Inquisition scapegoat the two artisans for the outbreak, and subject them to trial by torture, despite the protests of Cardinal Borromeo.Innocent victims of a panic which has gripped the populace, Piazza and Mora are found guilty of the imaginary crime of smearing poisonous substances about in the city to induce plague. They are put to death upon the wheel. Afterwards, a pillar (The Infamous Column of the title) is erected in the square which beheld their execution, with a warning for the masses, to guard against eruptions of public hysteria ever again.

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该剧:电影该剧关注在大城市拼搏的年轻人李一甜的故事，展现新一代年轻人的生活现状。影片关注理想到无奈，再到新生的痛苦和奋斗过程，透过李一甜的命运反映当代社会普通人的真实生活。

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该剧是一部令人难以忘怀的电影，充满了魔法、冒险和成长。故事中的主角阿莎是一个充满想象力和勇气的女孩，她在奇迹王国的罗萨斯与她的宠物山羊一起生活。阿莎向一位神奇的国王马尼菲科许下了一个特别强大的愿望，一个被称为星星的充满无限能量的小球。随着星星和阿莎一同面对最强大的敌人，推翻马尼菲科的统治以拯救她的社区，并证实当一个勇敢之人的意志与星星的魔力相结合后，奇妙的事情就会发生。这部电影不仅拥有精美的视觉效果，还充满了深刻的情感和人性化的角色，让观众陶醉其中。

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《哈尔的移动城堡》是迄今为止宫崎骏最深刻的作品。这部动画片情节跳跃，隐喻铺天盖地，和宫崎骏以往绵密、通俗的叙事风格截然不同。本片的两个主角，其人性因素相当饱满，远超过以往动画片任何角色。苏菲是个文静善良的小姑娘，她对哈尔一见倾心，但是她自认为不漂亮，不敢奢望魅力十足的哈尔爱自己。她被荒野女巫施咒变成了老太婆，之后她来到哈尔的移动城堡，为哈尔打扫房间。她认为只要自己是个老太婆，为哈尔做任何事都不会难为情，所以她宁可做个老太婆。这就是她的心结，她的老态其实是内心消沉自卑的反

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：身经百战的志愿军，连战壕都挖不好，连乌克兰的填线宝宝都比志愿军挖的好。：志愿军反冲锋的时候，经典的制进攻也没有，只知道一堆人往前冲，就这样冲能打赢抗美援朝？：美军进攻的时候也是一堆人往前冲，二战打德军的步坦协同都忘光了。整场电影，没有一个兵做过一个战术动作，就像一群烂仔在打架。真的很烂。和抗日神剧没什么区别。简直就是换了皮的港产警匪枪战片，这样拍，真心不知道是黑志愿军还是赞扬志愿军。爱国主义是要宣扬的，志愿军也是要永远铭记的，但用这样的烂片来表达爱国思想，