Lord Thing

Chicago Film Archives has restored two remarkable “lost” films that shed new light on an overlooked chapter of Chicago history: the role of gangs in West Side neighborhoods in the 1950s and 1960s, especially the organization known as the Vice Lords and, later, the Conservative Vice Lords. LORD THING in particular qualifies as a major rediscovery, not only for its eye-opening subject matter, but also for its dynamic style--an urgent mosaic of speeches, recollections, on-the-spot footage, and vigorously staged rumbles. Spawned by poverty and police harassment, the Lords eventually turned from destructive street violence to constructive social activism, only to be targeted by the Daley administration as a political and economic threat.DeWitt Beall’s LORD THING (1970) is a film that “begins in the ghetto streets of the mid-Fifties— a virtual combat zone for dozens of small neighborhood gangs from different parts of the city [that in time unite] forces in a common cause.” Only a muddy VHS copy of the film had been circulating until CFA recently discovered 16mm prints in storage and under the care of Beall’s widow. This film won a Silver Medal in the Venice Film Festival.

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故事情节紧凑且充满紧张感，让观众一直保持着高度的关注。

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上期我们聊到，潮汛之主埃林从大洋彼岸的里斯把伊耿三世的弟弟老五韦赛里斯带了回来，其入赘的罗佳尔家族借此机会染指维斯特洛一度控制了大陆贵族的经济命脉，然而在一系列神秘的暗杀和策划下，罗佳尔银行因挤兑破产，同一时间的君临在御林铁卫马斯森维水的领导下发动政变，大肆追捕罗佳尔家族的人，逮捕国王之手罗宛伯爵并将国王和韦赛里斯王子困在梅葛楼，威胁他们交出拉腊罗佳尔夫人。双方对峙了整整天，期间国王问马斯森爵士为什么要倒行逆施犯下这种叛国罪行，马斯森爵士回答道，因为我们已经查明，是罗佳

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该剧是一部颇具历史背景的奇幻剧，巧妙地融合了唐朝时期的政治、文化、宗教等元素，为观众呈现了一幅千变万化的历史画卷。

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电影该剧以缉毒队为背景，讲述了队员们在一次任务中遭遇失败，导致内部产生矛盾与分歧。影片通过各成员之间的情感纠葛，展现出一个真实而有温度的团队形象，引人深思。